Empire
Empire (from the French. Empire - empire) - a style in architecture and decorative art that arose in France at the beginning of the 19th century, during the First Empire…

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Art Nouveau
Art Nouveau (came from the French moderne - the newest, most modern) - style in European and American style on the shore of the XIX-XX centuries. Art Nouveau reinterpreted and…

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Kinetic art
Kinetic art - (came from the Greek. Kineticos - driving) - the trend in modern art, associated with the widespread use of moving objects, which is based on the idea…

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widespread

Primitivism

Primitivism is a painting style that originated in the XIX-XX centuries. The primitivists intentionally simplified the picture, making its forms primitive, like folk art, the work of a child or a primitive person. The main difference from naive art: naive is the painting of lay people, and primitivism is the stylized painting of professionals. The most famous artists in this direction are Marc Chagall, Niko Pirosmani.

Primitivism – Art Naive – “Painting of seven Sundays a week” is the art of people who have not lost a Child in their soul. This is “middle art”, torn off from the folklore “earth” and not raised to the scientific and artistic “sky”. Its roots go back to the childhood of mankind, when art was inseparable from life. There was no difference between a hunter and an artist, a mistress and a dancer. There was only a separation between men and women. Continue reading

Luchism

Luchism (rayonismus, from the French.rayon – ray) is an art school in Russian art of the 1910s, associated with the names of Mikhail Larionov and Natalia Goncharova.

In 1913, at the Target exhibition, luchism was introduced to the general public as a new trend in modern painting. In the same year, a manifesto was published revealing the principles of rayism: the purpose of painting is to convey the fourth dimension, where other pictorial laws and techniques rule. The artist should not depict the objects themselves (visible forms), but the color rays reflected from them (internal essence); convey on the canvas the impressions arising from the meeting in the space of intersecting light and energy rays of various objects. Continue reading

Verism

Verism (from Italian. Il verismo, from the word vero – true, truthful) is a realistic trend in Italian fine art of the late 19th century. The term originated in the 17th century, was used in the visual arts and denoted a realistic stream in Baroque painting. Then the term is revived in the second half of the 19th century, being a designation (very vague, vague) of a realistic and naturalistic trend in Italian art. The most famous artists of this direction are J. Fattori, S. Lega, T. Sinrini, O. Borrani, V. Kabyanka, J. Abbati and others.

The principles of verisma were formed mainly under the influence of French naturalism. Relying on the work of E. Zola, G. Flaubert and G. de Maupassant, verists set the main tasks of their work to be objective and a scientific approach to the study of facts (from the standpoint of positivism) in depicting the life realities of modern Italian society, everyday life and psychology of ordinary people. Continue reading

Academism
Academism (from the French academisme) is a direction in European painting of the 16th-19th centuries. It was based on dogmatic following the external forms of classical art. Followers characterized this…

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Art Nouveau
Art Nouveau (came from the French moderne - the newest, most modern) - style in European and American style on the shore of the XIX-XX centuries. Art Nouveau reinterpreted and…

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Kinetic art
Kinetic art - (came from the Greek. Kineticos - driving) - the trend in modern art, associated with the widespread use of moving objects, which is based on the idea…

...

Empire
Empire (from the French. Empire - empire) - a style in architecture and decorative art that arose in France at the beginning of the 19th century, during the First Empire…

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