Anachronism
Anachronism (from the Greek. Ana - back and hronos - time), another name - hyper-Mannerism - one of the directions of postmodernism, offering an author's interpretation of the art of…

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Informalism, informe
Informalism, informel (from the French art informel) is a trend in abstract art that arose in the second half of the 40s of the 20th century in France, as the…

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The art of action, the abstraction of gestures
The art of action, the abstraction of gestures (from English action painting) is a trend in American painting of the mid-twentieth century, in which paint is spontaneously applied to the…

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volumetric designs

Primitivism

Primitivism is a painting style that originated in the XIX-XX centuries. The primitivists intentionally simplified the picture, making its forms primitive, like folk art, the work of a child or a primitive person. The main difference from naive art: naive is the painting of lay people, and primitivism is the stylized painting of professionals. The most famous artists in this direction are Marc Chagall, Niko Pirosmani.

Primitivism – Art Naive – “Painting of seven Sundays a week” is the art of people who have not lost a Child in their soul. This is “middle art”, torn off from the folklore “earth” and not raised to the scientific and artistic “sky”. Its roots go back to the childhood of mankind, when art was inseparable from life. There was no difference between a hunter and an artist, a mistress and a dancer. There was only a separation between men and women. Continue reading

Luchism

Luchism (rayonismus, from the French.rayon – ray) is an art school in Russian art of the 1910s, associated with the names of Mikhail Larionov and Natalia Goncharova.

In 1913, at the Target exhibition, luchism was introduced to the general public as a new trend in modern painting. In the same year, a manifesto was published revealing the principles of rayism: the purpose of painting is to convey the fourth dimension, where other pictorial laws and techniques rule. The artist should not depict the objects themselves (visible forms), but the color rays reflected from them (internal essence); convey on the canvas the impressions arising from the meeting in the space of intersecting light and energy rays of various objects. Continue reading

Analytical cubism

Analytical cubism is the second phase of cubism, characterized by a gradual blurring of the differences between form and space and the disappearance of images of objects. In the paintings of this period appear translucent, iridescent, intersecting planes, the position of which is not clearly defined. The arrangement of forms in space and their relation to large compositional masses are constantly changing. The result is a visual interaction of form and space. Analytical cubism was developed by artists from the Golden Section artistic association: Albert Gleize, Marcel Duchamp, Raymond Duchamp-Villon, Jean Metzinger and Jacques Villon.

In the paintings of this period, iridescent colors appear translucent intersecting planes, the position of which is not clearly defined. Continue reading

Naturalism
Naturalism - (French naturalisme, from lat. Natura - nature) - a direction in literature and art that developed in the last third of the XIX century in Europe and the…

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Empire
Empire (from the French. Empire - empire) - a style in architecture and decorative art that arose in France at the beginning of the 19th century, during the First Empire…

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Luchism
Luchism (rayonismus, from the French.rayon - ray) is an art school in Russian art of the 1910s, associated with the names of Mikhail Larionov and Natalia Goncharova. In 1913, at…

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Informalism, informe
Informalism, informel (from the French art informel) is a trend in abstract art that arose in the second half of the 40s of the 20th century in France, as the…

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