Cubism
Cubism (from French cubisme, came from cube - cube) is a modernist trend in painting of the early twentieth century, which highlighted the formal task of constructing volumetric shapes on…

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Geometric abstractionism
Geometric abstractionism (other names - cold abstraction, logical, intellectual abstractionism) is a trend in abstract art based on the creation of art space by combining various geometric shapes, color planes,…

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Academism
Academism (from the French academisme) is a direction in European painting of the 16th-19th centuries. It was based on dogmatic following the external forms of classical art. Followers characterized this…

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underground

Primitivism

Primitivism is a painting style that originated in the XIX-XX centuries. The primitivists intentionally simplified the picture, making its forms primitive, like folk art, the work of a child or a primitive person. The main difference from naive art: naive is the painting of lay people, and primitivism is the stylized painting of professionals. The most famous artists in this direction are Marc Chagall, Niko Pirosmani.

Primitivism – Art Naive – “Painting of seven Sundays a week” is the art of people who have not lost a Child in their soul. This is “middle art”, torn off from the folklore “earth” and not raised to the scientific and artistic “sky”. Its roots go back to the childhood of mankind, when art was inseparable from life. There was no difference between a hunter and an artist, a mistress and a dancer. There was only a separation between men and women. Continue reading

Luchism

Luchism (rayonismus, from the French.rayon – ray) is an art school in Russian art of the 1910s, associated with the names of Mikhail Larionov and Natalia Goncharova.

In 1913, at the Target exhibition, luchism was introduced to the general public as a new trend in modern painting. In the same year, a manifesto was published revealing the principles of rayism: the purpose of painting is to convey the fourth dimension, where other pictorial laws and techniques rule. The artist should not depict the objects themselves (visible forms), but the color rays reflected from them (internal essence); convey on the canvas the impressions arising from the meeting in the space of intersecting light and energy rays of various objects. Continue reading

Underground

Underground (from the English underground – underground, underground) is a series of artistic trends in contemporary art that oppose themselves to mass culture and the mainstream. The underground rejects and violates the political, moral and ethical orientations and types of behavior accepted in society, introducing asocial behavior into everyday life. In the Soviet period, due to the severity of the regime, almost all unofficial, i.e. not recognized by the authorities, art turned out to be underground.

Underground – in the narrow sense – any non-commercial, experimental art; in the broad – the concept and phenomenon that arose in the United States in the late 1950s. and meaning “underground” culture as an integral part of the so-called counterculture, which contrasted itself with the restrictions and conventions that prevailed in the culture society.

The art of underground, imbued with the spirit of dissidentism. It rejects and violates the political, moral and ethical orientations and types of behavior accepted in society, introducing asocial behavior into everyday life. Continue reading

Color field painting
Color field painting (from the English color field) is an abstract painting style that arose in New York City in the 1940-1950s. She was inspired by European modernism and was…

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Kinetic art
Kinetic art - (came from the Greek. Kineticos - driving) - the trend in modern art, associated with the widespread use of moving objects, which is based on the idea…

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Mannerism
Mannerism (Mannerism, Italian. Maniera - style, manner), a term used in the theory of fine art. He became popular thanks to the artist and biographer of the 16th century Vasari,…

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Abstractionism
Abstractionism (from Latin abstraction– distraction, removal) is one of the directions in the art of the 20th century, the essence of which was the complete rejection of the depiction of…

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