Neo-pop, neo-pop art or post-pop is a trend in modern painting that arose in the 80s of the XX century as a reaction to conceptualism and minimalism. Neo-pop is not a fundamentally new art movement, but rather represents the evolution of pop art with its interest in consumer goods and celebrities in the world of popular culture, only with icons and symbols of the new era.
Neo-pop is not a fundamentally new art movement, but rather represents the evolution of pop art with its interest in consumer goods and celebrities in the world of popular culture, only with icons and symbols of the new era (Michael Jackson, Madonna, Britney Spears, Paris Hilton and etc.). Continue reading
Naturalism – (French naturalisme, from lat. Natura – nature) – a direction in literature and art that developed in the last third of the XIX century in Europe and the USA. Under the influence of the ideas of positivism, the main representatives of which were O. Comte and G. Spencer, this movement strove for an objective and dispassionate depiction of reality, likening artistic knowledge to scientific, proceeded from the idea of the complete predetermination of fate, the dependence of the spiritual world of a person on the social environment, heredity and physiology.
In the field of art, naturalism was developed primarily in the works of French writers – brothers E. and J. Goncurov and Emil Zola, who believed that the artist should reflect the world around him without any embellishment, conventions and taboos, with maximum objectivity, positivistic truth. Continue reading
The art of action, the abstraction of gestures (from English action painting) is a trend in American painting of the mid-twentieth century, in which paint is spontaneously applied to the canvas. The art of action is similar to abstract expressionism.
In the framework of American abstractionism, the so-called “shapeless painting” of Jackson Polock was developed, which considered the creative process to be self-valuable, and the result was not important, which made sense only as a memory of the creative process left on the canvas. Returning to primitive syncretism, Shelf transformed painting into a sacred dance of the artist. The shelf hung the canvas on the wall or laid it on the floor, “making” a shamanistic ceremony around it, the artist, as he said, “went inside the painting”. He developed a technique called dripping, which consisted of spraying paints from a can (French parallel – “Tashism” – spotting.) Continue reading