Neo-pop, neo-pop art or post-pop is a trend in modern painting that arose in the 80s of the XX century as a reaction to conceptualism and minimalism. Neo-pop is not a fundamentally new art movement, but rather represents the evolution of pop art with its interest in consumer goods and celebrities in the world of popular culture, only with icons and symbols of the new era.
Neo-pop is not a fundamentally new art movement, but rather represents the evolution of pop art with its interest in consumer goods and celebrities in the world of popular culture, only with icons and symbols of the new era (Michael Jackson, Madonna, Britney Spears, Paris Hilton and etc.). Continue reading
Neoplasticism is one of the earliest varieties of abstract art. Created by 1917 by the Dutch painter P. Mondrian and other artists included in the association “Style”. According to its creators, neoplasticism is characterized by a desire for “universal harmony”, expressed in strictly balanced combinations of large rectangular shapes clearly separated by black perpendicular lines and painted in local colors of the main spectrum (with the addition of white and gray tones).
Neoplasticism claimed clarity, simplicity, and constructiveness of pure, unnatural geometrical forms. In substantiating his theory, Mondrian was guided by the idea of illusory nature of the contradictory nature of our world, its subjectivity. The artist’s task is to free life relations from immersion in natural forms, clean them from nature (“denature”) and give them a new formation. Continue reading
The art of action, the abstraction of gestures (from English action painting) is a trend in American painting of the mid-twentieth century, in which paint is spontaneously applied to the canvas. The art of action is similar to abstract expressionism.
In the framework of American abstractionism, the so-called “shapeless painting” of Jackson Polock was developed, which considered the creative process to be self-valuable, and the result was not important, which made sense only as a memory of the creative process left on the canvas. Returning to primitive syncretism, Shelf transformed painting into a sacred dance of the artist. The shelf hung the canvas on the wall or laid it on the floor, “making” a shamanistic ceremony around it, the artist, as he said, “went inside the painting”. He developed a technique called dripping, which consisted of spraying paints from a can (French parallel – “Tashism” – spotting.) Continue reading