Kitsch, kitsch
Kitsch, kitsch (from German kitsch - bad taste) is a term denoting one of the most odious phenomena of mass culture, a synonym for pseudo-art, in which the main attention…

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Art Nouveau
Art Nouveau (came from the French moderne - the newest, most modern) - style in European and American style on the shore of the XIX-XX centuries. Art Nouveau reinterpreted and…

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Cubism
Cubism (from French cubisme, came from cube - cube) is a modernist trend in painting of the early twentieth century, which highlighted the formal task of constructing volumetric shapes on…

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eclecticism

Orphism

Orphism (French orphisme, named after the character of the ancient Greek mythology of the singer Orpheus) is a trend in European painting of the 1910s, close to cubism and futurism. The term “Orphism” was invented by the poet and art critic Guillaume Apollinaire (Orphism as the culprit of Orpheus) to characterize the work of Robert Delaunay and publicly announced during a lecture on contemporary painting in October 1912. The proposed name, the poet apparently wanted to emphasize a particular musicality , intuitiveness, irrationality of abstract art Delaunay.

Subsequently, Apollinaire extended this concept to the work of cubists, Dadaists and artists of the Blue Horseman group (Kandinsky, Mark, Macke, Yavlensky), introducing a certain confusion into the essence of the concept itself.

Orphism is a local, short-lived stream in painting, represented by the names of Robert Delaunay, his wife Sonya Terk-Delaunay, Frantisek Kupka and their few followers, among whom the most prominent figures were Fernand Leger, Francis Picabia, Vladimir Baranova-Rossine. Continue reading

Metaphysical paintin

Metaphysical painting – (from the Greek meta – after and phisika – nature, metaphysics – the science of spiritual phenomena inaccessible to experienced knowledge, the transcendental principles of the world) – a trend in Italian art that arose in 1916 in Ferrara. Its creators were painters Giorgio De Chirico, Carlo Carra, Giorgio Morandi. Subsequently, Morandi and Carra changed their style and de Chirico remained the only leader, in the paintings of which the geometrization and stiffness of forms symbolized “eternity, the metaphysics of time and space”, irrational connections between externally unrelated objects. Metaphysical art was not widespread, but had a great influence on other artists. It was close to symbolism and became the forerunner of another powerful art movement – surrealism. Continue reading

Academism

Academism (from the French academisme) is a direction in European painting of the 16th-19th centuries. It was based on dogmatic following the external forms of classical art. Followers characterized this style as a discourse on the art form of the ancient ancient world and the Renaissance. Academism replenished the traditions of ancient art, in which the image of nature was idealized, while compensating for the norm of beauty. Annibale, Agostino and Lodovico Carracci wrote in this style.

The history of the development of Academism is associated with the “Academy of the Right Path” in Bologna (c. 1585), the French Royal Academy of Painting and Sculpture (1648) and the Russian Academy of Three Noble Arts (1757).

The activities of all the academies were based on a strictly regulated educational system, focused on the great achievements of previous eras – antiquity and the Italian Renaissance, from which the individual qualities of classical art that were accepted as ideal and unsurpassed were consciously selected. Continue reading

Modernism
Modernism (came from Italian. Modernismo - "modern movement") - the general name of the directions of art and literature of the late 19-20 century: cubism, Dada, surrealism, modern, futurism, expressionism,…

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Kinetic art
Kinetic art - (came from the Greek. Kineticos - driving) - the trend in modern art, associated with the widespread use of moving objects, which is based on the idea…

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Art Nouveau
Art Nouveau (came from the French moderne - the newest, most modern) - style in European and American style on the shore of the XIX-XX centuries. Art Nouveau reinterpreted and…

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Impressionism
Impressionism (from French impression - impression) is a trend in European painting that originated in France in the mid-19th century. Impressionists avoided all the details in the drawing and tried…

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