Monthly Archives: October 2019
Op art (from English op art, short for optical art – optical art) is a neo-avant-garde trend in the visual arts, one of the later modifications of abstract art. In op art, the effects of spatial displacement, merging, and “hovering” of forms were achieved by introducing sharp color and tonal contrasts, rhythmic repetitions, intersecting spiral and lattice configurations, curving lines.
The basis of op-art is in the artistically organized optical effects (effects of spatial displacement, hovering, fusion of forms), which were achieved by geometrized combinations of lines and spots with the introduction of sharp color and tonal contrasts, rhythmic repeats, wriggling lines, the intersection of spiral and trellised configurations. The use of mirrors, lenses, trembling metal plates and wires, installations of changing light, dynamic structures, enhances the effect of exposure, creates a special aesthetic environment, achieving a high degree of abstraction from the concrete. Continue reading
The new materiality (German Neue Sachlichkeit) is an art movement in German art of the 1920s – early 1930s, which represented the tradition of neoclassicism in the general context of the development of modernist art. The authorship of the term “New materiality” belongs to the director of the art gallery in Mannheim, G. Hartlaub, who called the direction of the “search for new materiality” an exhibition of works by young artists that took place at him in 1925. This trend, not formalized organizationally and sufficiently broad (due to the belonging of artists from different lands of Germany), existed until fascism came to power in 1933.
The participants in the New Materiality movement, striving to counter the alarming ecstasy of expressionism, proclaimed a “return to a positive and concrete reality.” Continue reading