Monthly Archives: April 2019
Metarealism (came from the Greek meta – between, after, through, and gealis – material, real) is the realism of many realities connected by the continuity of metabolic transformations and state changes. There is a reality open to the ant’s vision, and a reality open to the wandering of an electron, and a reality folded into a mathematical formula. The metareal image, metamorphosis, metabolism is a way of interconnecting all these realities, affirming their growing unity.
Metarealism is a style in Russian literature and art that took shape in the 70s, but gained fame in the 80s. Representatives of metarealism. In poetry – I. Zhdanov, O. Sedakova, V. Aristov, A. Parshchikov, I. Kutik, A. Eremenko, V. Salimon and others. In painting: E. Dybsky, Z. Sherman, E. Gor, B .Morkovnikov, A. Tsedlik and others. Continue reading
Mannerism (Mannerism, Italian. Maniera – style, manner), a term used in the theory of fine art. He became popular thanks to the artist and biographer of the 16th century Vasari, who characterized them with a high degree of grace, poise and sophistication in art. However, from the 17th century, most critics, believing that Italian art of the 2nd half of the 16th century was in decline compared to the peaks achieved during the High Renaissance (Renaissance) by Leonardo da Vinci, Michelangelo and Raphael, referred to the term Mannerism as art, which metaphorical saturation, addiction to hyperbole and grotesque are characteristic. As a result, Mannerism began to be called the style adopted by the schools of Italian art, primarily Roman, between the High Renaissance and the Baroque (about 1520 – about 1600). Continue reading