Monthly Archives: February 2019
Cubofuturism is a trend in the art of avant-garde in the early twentieth century, combining the achievements of Italian futurists and French cubists. In the visual arts, cubofuturism arose on the basis of a rethinking of the art theories of Cezannism, Cubism, Futurism and Russian neo-primitivism, revealing an eclectic phenomenon with a bright national color. The new aesthetics (the second name is “Russian Cubism”), which existed for a short period of time – from 1911 to 1916, served as a transitional stage from the artistic searches of the early twentieth century. To the largest trends and truly original creations of the Russian avant-garde – Suprematism of K. Malevich, constructivism of V. Tatlin and E. Lisitsky, analytical art of P. Filonov. Continue reading
Cubism (from French cubisme, came from cube – cube) is a modernist trend in painting of the early twentieth century, which highlighted the formal task of constructing volumetric shapes on a plane, minimizing the visual and cognitive functions of art. The word “cubists” was used in 1908 and 1909 by the French critic L. Vossel as a mocking nickname for a group of artists depicting the objective world as a combination of geometric bodies or figures. The most famous artist in this direction of painting: Pablo Picasso (1881-1973).
At the turn of the First World War, the influence of European painting fell sharply. Continue reading